Scholar Beth Tanner said it well,

when our integrity is on the line, it is comforting to stand before God, depend on God’s relationship with each of us before we go out and face the not-so-forgiving world.”

in The Book of Psalms (Eerdmans, 2014)

As God’s people, meditating over the rich world of Psalm 26 can help us meet the challenges of this unforgiving world.

Genre and Context

Genre. Psalm 26 is a poetic prayer framed in the language of a plea of vindication, asking God to evaluate David’s commitment to the path of integrity. There are other genre suggestions made to account for the palatable sense of a legal complaint, or a priestly approach to God (26:6–8), a lament (26:1), or of its liturgical sensibilities for God’s people to approach God (26:6–8).

A complaint appeal to God seems, however, to be the most fitting literary form for the psalm. David implies throughout that his spiritual and moral integrity is under scrutiny, and explicitly invites the Lord’s assessment, confident that he will be found “on level ground” (26:12).

Context. There are nine psalms with the superscription (i.e., the headings) which reads, “Of David” (Psalms 25–28, 35, 37, 103, 138, 144). Although these are very ancient, they have never been thought of as inspired. They often provide ancient information about either its background (Psalm 51), its liturgical usage (“to the choirmaster,” Psalm 31), or its collection or authorship (Asaph, Psalm 80). “Of David” is so abbreviated and limited, Psalm 26 could be from any period of David’s life. 

There are two additional ways to explore the context of individual psalms: their placement in the Psalter and internal references to other biblical themes. Psalm 26 is placed in Book 1 (Psalms 1–41) cataloging 37 Davidic psalms. The psalm also presumes an understanding of the priestly and sacrificial system (26:6–8), and the “path” of the righteous from Psalm 1.

Movements and Theology

Movements. The psalm clearly moves from the demand to be vindicated by God, with the declaration of having “walked in… integrity” (26:1) to the promise to “walk in … integrity” (26:12). The walk in integrity motif serves as an inclusio—two phrases serving as literary bookends. This is at the heart of the movement of the psalm. Once David’s past and present are vindicated by God’s refining fire of judgment, he promises to continue walking in integrity. 

Our English translations do not always agree on how to divide these literary units but the most helpful way to see the movement of thought within the psalm is a five-part outline: (1) 26:1–3, (2) 26:4–5, (3) 26:6–8, (4) 26:9–10, and (5) 26:11–12. At the center of this outline are verses 6–8, which emphasize priestly preparation to stand in the presence of God (“Psalms” in The Transforming Word [ACU Press, 2009]). Clearly, David’s confidence in his innocence is not to be confused with a sense of sinlessness, for this reason, he pleads for redemption and grace (26:11b).

Theology. There are a few significant theological themes to soak in:

(1) A theology of vindication: In the opening invocation of God, David uses the verbal shopheteni (“vindicate me”; 26:1), a judicial term for “passing judgment.” It is used in the positive sense of “demonstrate my innocence.” The same phrase appears two other times: “Vindicate me, O Lord, My God” (35:24), and, “Vindicate me, O God, and defend my cause against ungodly people…” (43:1). Vindication of the righteous sufferer is a common theme throughout scripture (cf. Job; 1 Pet 2:18–25; Phil 2:5–11). David, too, insisted that God prove, try, and test his heart and mind (26:2). 

(2) God’s Benevolent Faithfulness: Steadfast love (hesed) and faithfulness (‘emet) are found together fifty times in the Psalms. It affirms God’s character revealed at Mount Sinai: “The Lord, the Lord, a God merciful and gracious, slow to anger, and abounding in steadfast love and faithfulness, keeping steadfast love for thousands, forgiving iniquity and transgression and sin, but who will by no means clear the guilty…” (Exodus 34:6–7). As Jonah reluctantly learned, this God also exists for those outside of his covenant as well (Jonah 4:2). David knows his God prefers a redemptive relationship over penal punishment. 

(3) The priestly approach: In Exodus 30:17–21, the priests who serve in the tabernacle (i.e., the Lord’s house; Psalm 26:8) must wash their hands and their feet in a bronze basin before entering, “so that they may not die” (17:21). Temple rituals for coming into the presence of God are often spiritualized by those outside the Levitical guild. David affirms that he appropriately prepares himself to be in God’s house since only by the grace of God do we have access to redemption, praise, and worship in his presence (Psalm 26:6–8, 11).

(4) The two paths: The first psalm establishes the two paths: the way of the righteous and the way of the wicked (Psalm 1:1, 4–6). The wicked and the righteous, and their deeds, are fully known by God; likewise, their fates are determined by their lifestyle. This theological framing is found in Psalm 26. David appeals to this language when he disavowed association with the wicked (26:5; 1:1), and in his request not to be lumped in among the sinners when God scoops them all together in judgment (26:9; 1:1, 5).

Application

It is hard to know the particular scenario in David’s life which gave rise to this psalm. The power of the inspired poetic form, however, is found in the accessibility of our contemporary settings despite the differences.

The integrity of God’s people will be challenged, but such an inspection should be welcomed if God’s people are seeking the way of the righteous in a humble, graceful, and redemptive way

Sources

Tanner, Beth LaNeel. “Psalm 26: Prepare to Appear” in DeClaissé-Walford, Nancy L., Rolf A. Jacobson, and Beth LaNeel Tanner. The Book of Psalms. NICOT Edited by E. J. Young, R. K. Harrison, and Robert L. Hubbard, Jr. Grand Rapids, MI: Eerdmans, 2014.

Marrs, Rick R. “Psalms” in The Transforming Word One-Volume Commentary on the Bible. Edited by Mark W. Hamilton. Abilene, TX: Abilene Christian University Press, 2009.

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